Dementia Clinical Trial
Official title:
Music Therapy in Methodist Homes: a Cluster Randomised Controlled Trial Including Mixed Methods Analysis Investigating the Efficacy of the Impact of a Music Therapy Programme on Caring for People With Dementia Who Have Behavioural Symptoms.
The study is a cluster randomised control trial, which aims to investigate the effectiveness of music therapy in minimising Behavioural and Psychological Symptoms of Dementia (BPSD) in older adults with dementia. In particular, the study aims to identify the main components of music therapy that are key in achieving this. The study will also explore carers' perceptions of music therapy, and investigate whether carers become more attentive to patients' needs and more able to manage patients' BPSD as a result of the music therapy programme.
While music therapy has been noted to be an effective intervention in decreasing agitation
and disruptive behaviour in adults with dementia (Livingston et al, 2005), these effects
have only been demonstrated during and immediately after sessions, arguably due to the
progressive nature of dementia. To achieve long-lasting therapeutic change, it seems
necessary to consider the specific elements that work in music therapy, and extract them for
use within other activities. It is hypothesised that the use of such elements within
additional activities and care provision, alongside regular music therapy sessions, may
result in decreasing residents' BPSD for a longer duration of time.
Little research has been carried out that specifically identifies the key elements of music
therapy which contribute to its efficacy within the field of dementia. This study aims to
support existing evidence highlighting the significance of using music therapy within
dementia care, and, importantly, identify what elements are principally involved in
producing changes in behaviour and levels of well-being. The study will also incorporate the
collection of dementia residents' physiological data, specifically their Electrodermal
Activity (EDA), during therapy sessions. This will be measured by recording participants'
levels of skin conductance (microSiemens/cm); this is controlled by the Sympathetic Nervous
System and roughly thought of as the Fight or Flight system. Many efforts have been made to
explore how skin conductance indicates the levels of emotional arousal, for example, high
skin conductance indicates excitement or stress; low skin conductance indicates sadness or
calmness. (Poh et. al., 2010; 2012; Van Dooren et. al., 2012). The skin conductance data is
proposed to help identify the key elements and observable phenomena of the videoed music
therapy sessions showing reduced presentation of BPSD.
If the current study is able to identify such elements, these findings will enable future
research to investigate more comprehensively how these can be transplanted into other
activities to optimise their effects.
Participants will be recruited from two residential Methodist Homes, and using a cluster
randomized control design, will be allocated to either the control group on intervention
group. Participants in the control group will receive standard daily care for 22 weeks.
Participants in the intervention group will, in addition to daily standard care, receive one
session of individualised active music therapy once a week for a period of 22 weeks.
Music therapy sessions will last 30 minutes. During the session the participant will wear a
'Q-sensor' device around their wrist, which will record their skin conductance levels. Each
session will be video-recorded.
A communication system will be employed after each therapy session, in which video clips of
the session demonstrating the participant engaging in an interaction or expression will be
presented to care staff. This process will aim to demonstrate to staff how Behavioural and
Psychological Symptoms of Dementia (BPSD) are minimised by music therapy techniques, the
possible causes of BPSD, and how the therapist has made use of the participants' remaining
abilities to enhance and facilitate their involvement and interpersonal communication within
sessions.
The primary outcome measure will be the Neuropsychiatric Inventory, a standardised
questionnaire used to assess the psychopathology of dementia patients. This will be carried
out with residents' keyworkers at the following time points: as a baseline measure in the 2
weeks prior to the commencement of the music therapy intervention period, then at weeks
11-12, weeks 21-22 and as a follow-up at weeks 27-28. There will be three secondary outcome
measures:
1. dementia care mapping, an observational tool used to assess the quality of care
delivered by staff. This will be carried out at baseline in the 2 weeks prior to the
commencement of the music therapy intervention; then at weeks 11-12; weeks 21-22; and
as a follow-up at weeks 27-28.
2. microanalysis of video recordings of music therapy sessions, in conjunction with data
on participants' arousal levels during sessions, measured by a skin conductance device
worn on the wrist. This will take place each week after each music therapy session for
the duration of the 22 week intervention period.
3. grounded-theory based interviews. These will be carried out with care staff during
weeks 23 and 25 to explore carers' perceptions of music therapy.
Further analysis of video recordings of sessions will be conducted following the completion
of the 22-week period of music therapy treatment to further investigate key moments within
sessions.
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Allocation: Randomized, Endpoint Classification: Efficacy Study, Intervention Model: Parallel Assignment, Masking: Open Label, Primary Purpose: Treatment
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