Sensorineural Hearing Loss, Bilateral Clinical Trial
Official title:
Evaluation of the Impact of Coding the Fine Structure of the Sound on the Musical Perception in New Cochlear Implanted Subjects. Prospective Randomized Crossover Study.
Verified date | January 2020 |
Source | MED-EL Elektromedizinische Geräte GesmbH |
Contact | n/a |
Is FDA regulated | No |
Health authority | |
Study type | Interventional |
Main objective:
Show the superiority of Fine Structure (FS4) strategy compared to Continuous Interleaved
Sampling (HDCIS) strategy on the qualitative preference for the listening of musical pieces.
Secondary objectives
- Show the superiority of FS4 strategy compared to the HDCIS strategy on the perception of
musical elements (contour test).
- Analyze the link between the results of musical perception tests and the subjective
preference of musical listening.
- Show the non inferiority of FS4 strategy compared to the HDCIS strategy on the
perception of speech elements.
- Analyze the link between the results of musical perception tests and the results of the
perception of speech elements.
- Analyze the qualitative multidimensional perception with HDCIS and FS4
Status | Completed |
Enrollment | 19 |
Est. completion date | January 7, 2020 |
Est. primary completion date | January 7, 2020 |
Accepts healthy volunteers | No |
Gender | All |
Age group | 18 Years and older |
Eligibility |
Inclusion Criteria: - Adult patient (= 18 years old) speaking French - Patient who fulfils the criteria for cochlear implantation Exclusion Criteria: - Retro-cochlear pathology: auditory neuropathy, vestibular schwannoma |
Country | Name | City | State |
---|---|---|---|
France | CHU Rennes | Rennes |
Lead Sponsor | Collaborator |
---|---|
MED-EL Elektromedizinische Geräte GesmbH |
France,
Type | Measure | Description | Time frame | Safety issue |
---|---|---|---|---|
Primary | Qualitative measure of music | The Gabrielsson scale (1988) is used to evaluate perceived sound quality as a multidimensional phenomenon, that is composed of a number of separate perceptual dimensions. Eight perceptual dimensions are evaluated: clarity, fullness, brightness vs dullness, hardness/sharpness vs softness, spaciousness, nearness, extraneous sounds, loudness. Visual analog scales (VAS) are used for each dimension and the patient has to score the dimension on a 10 cm VAS (between 0 to 10). | at 15 days post-activation | |
Primary | Qualitative measure of music | The Gabrielsson scale (1988) is used to evaluate perceived sound quality as a multidimensional phenomenon, that is composed of a number of separate perceptual dimensions. Eight perceptual dimensions are evaluated: clarity, fullness, brightness vs dullness, hardness/sharpness vs softness, spaciousness, nearness, extraneous sounds, loudness. Visual analog scales are used for each dimension and the patient has to score the dimension on a 10 cm VAS (between 0 to 10). | at 30 days post-activation | |
Secondary | Speech recognition in quiet | The speech recognition in quiet is evaluated with syllabic list of 40 phonemes. The patient has to recognize 21 syllables. The phonemes are scored: each good answer is scored 1 yielding a total between 0 and 1 (or 0% and 100%). | at 15 days post-activation | |
Secondary | Speech recognition in quiet | The speech recognition in quiet is evaluated with syllabic list of 40 phonemes. The patient has to recognize 21 syllables. The phonemes are scored: each good answer is scored 1 yielding a total between 0 and 1 (or 0% and 100%). | at 30 days post-activation | |
Secondary | Differential frequency threshold | This test aimed to determine the smallest perceptible difference in F0 between two stimuli for various baseline values of F0. An adaptive procedure is used. | at 15 days post-activation | |
Secondary | Differential frequency threshold | This test aimed to determine the smallest perceptible difference in F0 between two stimuli for various baseline values of F0. An adaptive procedure is used. | at 30 days post-activation | |
Secondary | Melodic contour test | The test stimuli of the melodic contour test (Galvin et al. 2007) are melodic contours composed of 5 notes of equal duration whose frequencies corresponded to musical intervals. Nine distinct musical patterns have to be identified by the patient. Each good answer is scored 1 yielding a total between 0 and 1 (or 0% and 100%). | at 15 days post-activation | |
Secondary | Melodic contour test | The test stimuli of the melodic contour test (Galvin et al. 2007) are melodic contours composed of 5 notes of equal duration whose frequencies corresponded to musical intervals. Nine distinct musical patterns have to be identified by the patient. Each good answer is scored 1 yielding a total between 0 and 1 (or 0% and 100%). | at 30 days post-activation |
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